First time
hearing solo artist Coor Brow-Obles
whose own compositions were good enough - with some distinctive
hints of his influences but still managing to be his own thing.
The half-speed tempo cover of Love Will Tear Us Apart was
an inventive take on an overly covered classic that worked
surprisingly well.
Jason
Cheesman's Dead Blood Cells
project gets better every time I hear them live. Loving the
repetitive beats and basslines, but the completely bonkers random
ideas are still evident making their sets constantly unpredictable
if, like me, you're not overly familiar with their recorded
output. Lead vocalist Lilith Firechild (also a vocalist in The
InSect) has some impressive range and contrasts dramatically, but
very effectively, with Cheesman's own vocal parts. The combination
of the two shouldn't work - but it does.
Setlist: The Silence Is So Loud, Neon Demon Queen, Such An
Attractive Sky, On the Beach, Let Me Out, Lucretia My Reflection
Black
Light Ascension continue to be one of my favourite live acts
(and the perfect support to headliners Attrition tonight). There's
always a genuine intensity to their performances both from front
man Andrew Trail and keyboardist Hunter Barr - who is one of the
creepiest-looking performers on a stage. His eyes and manic smile
are the stuff of nightmares! Tonight's version of Black Sun,
from their most recent (2021) album Flesh Ghosts, was
particularly intense. I have yet to attend a dud BLA gig.
Setlist: Dark
Angels, Night Came In, All Of The People, New Skin, Black Sun,
Hiroshima Shadows, Jack In Burn Out
Photos:
Black Light Ascension x2